Kuso Full Movie' title='Kuso Full Movie' />Kuso Movie Review Film Summary 2. Kuso, a trippy collection of surreal comedy sketches, feels like a variety show from another planet. Its a noisy, lumpy collection of gross stuff that is vaguely thematically related, but only by stream of conscious logic. This presents a problem how seriously should we take such a puzzling, fitfully fascinating collection of barely developed ideas, many of which center on bodily fluids, human waste, and rotting body parts Written, scored and directed by formidable hip hop artist Flying Lotus AKA Steve Ellison, Kuso is too proudly low brow to be art gallery material. Rapper Flying Lotus aka Steve Ellison goes for the grossout hall of fame in his directing debut, Kuso. EXCLUSIVE When you have the iconic George Clinton in your feature directorial debut, you know the movie is going to get funky and surreal and Kuso surely does. 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JaJLooyFYUaRjNGorcT1YeThJx.jpg' alt='Kuso Full Movie' title='Kuso Full Movie' />But you can see a level of consideration and personality here that sometimes puts this film leagues ahead of anything thats being done by contemporary post dada pop surrealists like Tim Heidecker, Eric Wareheim, Eric Andre, and many other stoner friendly comedians who regularly crank out bizarro outsider art for Cartoon Networks late night Adult Swim off shoot. Kuso may often feel unproductively loud, and monotonous, but it is a head scratcher worth contending with. Advertisement. Produced over the course of two and a half years, Kuso is a roiling stew of Flying Lotuss creative influences, some of whom have cameos in the film, like Heidecker and FunkadelicParliament co founder George Clinton. All the events you see are somehow precipitated by a catastrophic Los Angeles earthquake. Beyond that, the only thing holding these scenes together are Ellisons recurring fixations with scab and pustule encrusted nebbishes, and insects that emerge from rectal orifices. Watching Kuso consequently feels like an excavation of the many subterranean chambers of Ellisons anally fixated imagination. A bald child with facial deformities eats and prays with his grotesque mother, then ventures into the woods and rubs his own waste on the mysterious creature that inhabits a mossy knoll that looks like a gaping anus. Click. A Japanese woman tumbles down a hole, and discovers herself in a hellish underworld where her legs are somehow attached to a strangers limbs. Click. A marijuana addled woman puzzles over news that shes pregnant and fends off advances from two inter dimensional alien roommates who look like sentient shag carpets. Click. A red computer generated steam of what looks like bloody diarrhea hangs and undulates in the air. Rock Of Ages Full Movie In English on this page. Click. Paper cut outs and computer generated images of Hieronymous Bosch like hellscapes are nested within human heads trapped in eyeballs trapped in skulls trapped in mouths. Click.  A musician, played by Ellison, tries to banish his irrational fear of mammaries by having Clinton, playing a holistic doctor named Dr. Clinton, have a bug that lives inside Clintons posterior spray him with psychedelic excrement. Cl Wait, what was that last one Your brain struggles to make connections between these segments because each subplot is broken down into three to five episodes each, cut up, and spread out over the course of the film. But the diced up juxtaposition of these segments necessarily prevents them from gelling together, so they never cohere into a bigger picture. I can commend Ellison for singular set pieces, like the films inspired opening musical number, or a weirdly intimate early sex scene. I could also lament dismal gags, like anything involving Heidecker, a blow up doll, and aliens. Advertisement. I could also rattle off any number of Ellisons salient influences, like Clinton, H. R.  Giger, William Burroughs, David Cronenberg, Marcel Duchamp, Crispin Glover, Danny Elfman, Alejandro Jodorowsky, and Monty Python. Or I could make comparisons to Clintons Cosmic Slop, Oingo Boingos Forbidden Zone, or Kool Keiths Dr. Octagonecologist. But the main thing about Kuso is that it feels like a deliberate attempt at frustrating your ability to make connections. Characters smear their waste on each others faces. They dont make eye contact, and often talk past each other. Semen, pus, and feces are everywhere, and everybody inevitably retreats or teases open the gateway to the next freaky sub conscious sub basement. Its like a giant counter culture ouroboros, except theres nothing seamless about this freaky self devouring nightmare. In that sense, Kuso feels most important as a declaration of Ellisons arrival as a new voice in filmmaking. It definitely reads like a first film full of promise, but oh so labored, and fussy. Watch When The Bough Breaks Online on this page. Ellisons music doesnt seem nearly so disjointed, and it appears that a change in media has resulted in some awkward first steps. Then again, maybe the best way to look at Kuso is a product of apparent creative labor that only really works when Ellison stops telling us what type of art he likes, and starts trying to do something with his pet influences. I cant wait to see his next film. Hopefully by that point hell unclench, and just do what comes naturally.