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In this 599-page, full-color e-book you'll learn: * The author's personal camera settings (with explanations) * A complete guide to the most popular Legacy Glass. Our film critics on blockbusters, independents and everything in between. Tall, handsome American film and television star John Krasinski is probably best known for his role as sardonic nice guy "Jim Halpert" on NBC's. Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share your publications and get.

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Ebert's Best 1. 0 Movies of 2. Roger Ebert's Journal. December 1. 8, 2. Print Page. Tweet.

Roger Ebert's best movie lists from 1. Roger Ebert's best movies of all time. How in the world can anyone think it was a bad year for the movies when so many were wonderful, a few were great, a handful were inspiring, and there were scenes so risky you feared the tightrope might break? If none of the year's 1. I could name another 1.

There were a lot of movies to admire in 2. These were the 1. Crash": Much of the world's misery is caused by conflicts of race and religion.

Paul Haggis' film, written with Robert Moresco, uses interlocking stories to show we are in the same boat, that prejudice flows freely from one ethnic group to another. His stories are a series of contradictions in which the same people can be sinned against or sinning. There was once a simple morality formula in America in which white society was racist and blacks were victims, but that model is long obsolete. Now many more players have entered the game: Latinos, Asians, Muslims, and those defined by sexual orientation, income, education or appearance.

Advertisement. America is a nation of minority groups, and we get along with each other better than many societies that criticize us; France has recently been reminded of that. We are all immigrants here. What is wonderful about "Crash" is that it tells not simple- minded parables, but textured human stories based on paradoxes. Not many films have the possibility of making their viewers better people; anyone seeing it is likely to leave with a little more sympathy for people not like themselves.

The film opened quietly in May and increased its audience week by week, as people told each other they must see it. Syriana": Stephen Gaghan's film doesn't reveal the plot, but surrounds us with it. Interlocking stories again: There is less oil than the world requires, and that will make some rich and others dead, unless we all die first. The movie has been called "liberal," but it is apolitical, suggesting that all of the players in the oil game are corrupt and compromised, and in some bleak sense must be, in order to defend their interests - - and ours. FR-EE Shock Value Full Movie.

The story involves oil, money and politics in America, the Middle East and China. The CIA is on both sides of one situation, China may be snatching oil away from us in order to sell it back, and no one in this movie understands the big picture because there isn't one, just a series of tactical skirmishes. Syriana" argues that in the short run, every society must struggle for oil, and in the long run, it will be gone. Munich": Stephen Spielberg's film may be the bravest of the year, and it plays like a flowing together of the currents in "Crash" and "Syriana," showing an ethnic and religious conflict that floats atop a fundamental struggle over land and oil. Working from a screenplay by Tony Kushner, Spielberg begins with the massacre of Israeli athletes at the Munich Olympiad of 1.

Nine eventually die, but not before the Israeli (Eric Bana) who leads the team loses his moral certainty and nearly his sanity, and not before the film sees revenge as a process that may have harmed Israel more than its targets. Advertisement. The film is not critical of Israel, as some believe, but a more general mourning for the loss of idealism in a region marching steadily toward terrorism and anarchy.

In defending itself, can Israel afford to compromise its standards - - or afford not to? Spielberg doesn't have the answer. He has the courage to suggest that some of Israel's post- Munich policies have not made it a better or safer place. Junebug": At last, a movie about ordinary people. Or put it this way: Phil Morrison's "Junebug" was the best non- geopolitical film of the year.

In simply human terms, there was no other film like it. It understands, profoundly and with love and sadness, the world of small towns; it captures ways of talking and living I remember from my childhood, and has the complexity and precision of great fiction. The story, written by Angus Mac. Lachlan, involves Alessandro Nivola and Embeth Davidtz as Chicagoans who return to North Carolina to visit his family: His mother (Celia Weston), mercilessly critical of everyone; his father (Scott Wilson), who has withdrawn into his wood- carving; his brother (Benjamin Mc. Kenzie), who loves his wife but has been brought to a halt by his demons and shyness, and the pregnant wife (Amy Adams), who is a good soul."Junebug" is a great film because it is a true film. It understands that families are complicated, and their problems are not solved during a short visit, just in time for the happy ending.

Families and their problems go on and on, and they aren't solved, they're dealt with. There is one heartbreaking moment of truth after another, and humor and love as well.

Brokeback Mountain": Two cowboys in Wyoming discover to their surprise that they love each other. They have no way to deal with that fact. Directed by Ang Lee, it's based on a short story by E. Annie Proulx and a screenplay by Larry Mc. Murtry and Diana Ossana. In the summer of 1. Ennis (Heath Ledger) and Jack (Jake Gyllenhaal) find themselves one night on a distant mountainside suddenly having sex.

You know I ain't queer," Ennis tells Jack after their first night together. Me, neither," says Jake. But their love lasts a lifetime and gives them no consolation, because they cannot accept its nature and because they fear, not incorrectly, that in that time and place they could be murdered if it were discovered. Oh, what a sad and lonely story this is, containing what truth and sorrow. Advertisement. 6. Me and You and Everyone We Know": The previous films have waded fearlessly into troubled waters.

Miranda July's walks on them. It's a comedy about falling in love with someone who speaks your rare emotional language of playfulness and daring, of playful mind games and bold challenges. July writes, directs, and stars. In her first film, she trusts a delicate sense of humor that negotiates situations that would be shocking if they weren't so darn nice. Can you imagine a scene involving teenage sexual experimentation that is sweet and innocent and not shocking at all, because it's not about sex but about what funny and lovable creatures we humans can be? And when have you seen a woman seduce a man not with sex but with unbridled and passionate whimsy? Nine Lives": Rodrigo Garcia's film involves nine stories told in a total of nine shots.

It is not a stunt. Most audiences will probably never notice that each scene is told in one shot, although they will sense the tangible passage of real time. The best story involves Robin Wright Penn and Jason Isaacs as two former lovers, now married to others (she pregnant), who meet by chance in a supermarket and during a casual conversation, realize that although their lives are content, they made the mistakes of their lifetimes by not marrying each other. Stating this so boldly, I miss the subtle sympathy that Garcia has for all of his characters, who are permitted those tender moments of truth by which we learn what a tease life is - - so slow to teach us how to live it, so quick to end.

King Kong" (2. 00. A stupendous cliffhanger, a glorious adventure, a shameless celebration of every single resource of the blockbuster, told in a film of visual beauty and surprising emotional impact.