Driver Ticketed For Going 8. MPH In His De. Lorean.

Eighty- eight miles per hour. That’s how fast Doc Brown’s De. Lorean had to go for us to “see some serious shit.” And that shit, at least in this reality, seems to be a speeding ticket. Back to the Future is hands down one of my favourite movie series, I’ve seen it dozens of times. After merging onto Highway 1. The Signal provided no word as to how long it took White to reach that speed, however. White told the publication, “I thought, let’s take it up to 8.

I only got three more miles to go.” Let us recall that the De. Lorean had the ubiquitous but anemic PRV V6 and that it was considered slow even in its day, so this is kind of an impressive goal, even if it’s illegal. He admitted to hitting 8.

California Highway Patrol officer pulled him over and asked how fast he thought he was going. Apparently, with a smile, the officer told him that White was clocked going 8. All of us started busting up laughing,” said White. But White did get a ticket, even after the laughs. This is something I would regard as a trophy.

The Signal also reported that upon leaving, the officer asked White if he had a flux capacitor in his car, which White, unfortunately, did not. White is also not the first to be ticketed in a De. Lorean while going 8. Another man who was pulled over in September swore to cops that he wasn’t trying to time travel.

Henry Jones Art Catalogue: online galleries. KATY WOODROFFEMemory Room: Expectations, 2. Mixed media on paper.

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Available on the COLLECT Art Purchase Scheme. Location: Art Installation Suite. Courtesy of Colville Gallery, Hobart. Memory Palace. Created from a recent journey through Italy and France. In the 1. 50. 0s, the Italian scholar and philosopher Giulio Camillo attempted to memorize all the knowledge in the world in his “theatre of memory” - designed to store memories in a physical space that was linked to another technique for remembering – the memory palace.

This exhibition is based around images collected during a journey through Italy and France last year and these have provided the basis for this imagined palace of memories. Objects in natural history museums, cabinets of curiosity and opulent palaces with their lush gardens and carousels have been combined to create fresh narratives. Connections between the real and imagined, the natural and man made, became increasingly significant as the work progressed. I have worked intuitively, using symmetry and repetition to create a series of pieces in which there is a threshold between these real and imagined states. Paintings within paintings and birds on man made chairs and ceramics next to other birds and animals, which are all specimens and have similarly been created by man.

Ultimately the work is an imaginative and intuitive construct, which hopefully reflects the sense of awe and excitement I experienced in these poetic and evocative spaces.- Katy Woodroffe. Katy Woodroffe is an Australian artist who lives in Hobart, Tasmania. She has exhibited nationally and internationally and has been selected for art residencies in countries around the world. From 1. 99. 9 - 2. Director of the Poimena Gallery where she was actively involved in curating and organising a wide range of exhibitions and events.

She also initiated and co- ordinated the Poimena Visual Arts International Residency Program and was Head of the Art Department at the Launceston Church Grammar School from 1. Katy studied at both the Tasmanian School of Art in Hobart and in Launceston where she completed her Master of Fine Art and Design in 1. In 2. 00. 1 she was invited to participate in a two month residency at the Cite des Arts in Paris by the University of Tasmania and this experience was a major influence on the development of her arts practice. In 2. 00. 7, Katy was invited to exhibit with fellow artist Robert Ikin and two Dutch artists in the exhibition “The Tasmanie Project” at the Gallery de Meerse in Amsterdam. This exhibition was opened by the Australian Ambassador to the Netherlands and received widespread coverage in arts publications in Holland. In 2. 00. 8 she won the Premier’s Choice Award in the Women Tasmania’s Material Girl 0. Competition, which is a prize she also won in 2.

That year she was also a selected Finalist in Bimpe V, the Fifth Biennial International Print Exhibition in Vancouver, Canada and was selected in the 7th Lessedra World Art Print Annual in Sofia, Bulgaria. In April of that year, Katy was invited to a residency at the Fundacion Valparaiso in Mojacar in Spain.

This four week residency was funded by a generous grant from the Fundacion Board which selects artists, writers and poets etc from around the world. At the end of the residency she had a solo exhibition and presentation of her work to guests from Paris and Copenhagen.

In 2. 00. 8 she was also chosen as the winner of the Salamanca Collection Art Prize in Hobart. In 2. 00. 9 she was selected in the 2nd Guanlan International Print Biennial in Shenzhen, China from artists from 7. Australia. In the same year one of her major pieces from the “Los Cantaros” series from Spain was selected for the International Print Triennial in Krakow, Poland and has consequently been included in their collection. Another piece from this series was selected in the International Juried Exhibition in Ottawa, Canada. Watch The Spring Fairy Online Forbes here. In 2. 00. 9 Katy was included in the Ex Libris Exhibition in Debrecen in Hungary, the International Graphic Triennial in Bitola (Republic of Macedonia) and she was also included in an exhibition featuring the work. Gallery Hopeinen in Helsinki, Finland.

Her work was also selected in the 3rd. International Printmaking Exhibition in Istanbul, Turkey, and she was featured in the First Alexandria International Biennale for Miniature Graphics in Egypt in December 2. A solo exhibition of her work from her residency at the Fundacion Valparaiso in Mojacar in Spain was shown in “The Fountain” at the Salamanca Collection Gallery in Hobart in July 2. She also had a major exhibition of work from the previous three years at the Barrack Gallery, Art Equity, in Sydney in September 2.

In July 2. 01. 0 she had an exhibition of new works at the Colville Gallery in Hobart in the exhibition “Two Worlds” with Rob Ikin. In August and September 2. International Printmaking Triennial in Douro, Portugal. In September and October 2. Katy participated in residencies at the Skopelos Foundation for the Arts on the Skopelos Island in Greece and at the Makanne residency in Udaipur in India. In September she also had a major solo exhibition, “Ghazals”, at the Astry Gallery in Sofia, Bulgaria.

Works from the residency in Greece were selected by the Bougainvillea Gallery in Udaipur for an international exhibition in 2. In 2. 01. 1 she was selected in a range of national and international exhibitions and had a successful solo exhibition at the Colville Gallery in Hobart. This was followed by another major exhibition “In Search of Paradise” at the same Gallery in April 2.

Rome, Sicily and Paris. In early 2. 01. 2 she also had work selected in important exhibitions in Melbourne, Sydney, Hong Kong, Hungary and Bulgaria.